Meet Andrea

Why I schedule quarterly reviews of personal and professional goals

I schedule time every three months to examine my personal and professional goals with fresh eyes. It is a small ritual, but it has become one of the most useful habits in my working life. I look at what I promised myself, what actually moved forward, and what needs to change before the next stretch of work begins.

A goal review works because ambition is not a straight line. Broadcast projects, writing, family commitments and new opportunities all compete for finite time, energy and attention. Without a deliberate pause, a busy diary can quietly become a substitute for a purposeful one.

The practice is deliberately simple. I use it to make decisions, not to grade myself. Sometimes the outcome is a clearer focus for a speaking season; at other times, it is permission to release an ambition that no longer fits. The value comes from honesty followed by action.

Quarterly reviews create useful distance

Three months offers enough distance to notice patterns without turning progress into a daily scorecard. A daily task list keeps me moving, while an annual vision helps me set direction. A quarterly review sits between those scales: long enough for a meaningful result, short enough to adjust before a season is spent.

The rhythm suits the cyclical nature of creative work. A broadcast commission may dominate one period, then give way to writing, interviews or live events. A book can move from idea to manuscript across months. Looking back every three months keeps those transitions visible and stops one demanding project from becoming the only measure of my success.

For me, the exercise is a form of self-assessment rather than a verdict on my worth. I ask what changed, what I learned, which commitments felt right and which drained me. I also ask whether the original goal still serves the person I am now. Each answer becomes a practical choice for the next stretch.

I begin with capacity, not a wish list

Before I open my calendar, I take stock of my capacity. How much energy do I have? Which responsibilities need protection rather than optimisation? Where can I make room for an opportunity? Money, attention and recovery all have limits, and my goals have to fit inside those limits. A wish list that ignores capacity becomes a source of guilt rather than guidance.

I sort goals into core commitments, meaningful projects and deliberate experiments. Core commitments protect the essentials: family, health, rest and the work that sustains my career. Meaningful projects deserve time and a clear outcome. Experiments are allowed to be smaller, since their purpose is to test an idea. Some priorities also need to leave the list so another can breathe.

I also return to my grandmother's lesson on strength, because it connects personal ambition to a steadier kind of resilience. It reminds me that inner strength is often built quietly, before we recognise how much we need it.

A review that fits Australian working life

A review needs an uninterrupted slot, although it does not need a perfect weekend. I schedule 90 minutes, protect my notifications and give myself permission to stop when the time is up. Australian work culture also reinforces the value of that boundary. Right-to-disconnect rules now shape employment expectations in Victoria, New South Wales and South Australia, with details depending on awards, agreements and workplace policies. Intentional downtime supports sustainable performance.

Australia adds a practical layer to scheduling. A team with colleagues in Melbourne and a producer in Perth spans two time zones, with Sydney sharing Melbourne's. I choose a slot that works for everyone, rather than expecting a late start or an early finish to become the default. A shared calendar helps, provided it includes real working hours.

Financial and family rhythms matter too. Superannuation, tax settings, school holidays and care arrangements can alter what a quarter can reasonably hold. Hot weather calls for an indoor fallback, and bushfire smoke may turn an outdoor walk into an unsuitable plan. A flexible review format is more reliable than forcing an idealised routine onto a complicated week.

Workplace patterns are changing as four-day week trials and compressed schedules become more visible in Australian organisations. Some teams now protect Fridays for focused work or have permanently adjusted their hours. When my next quarter includes those rhythms, I plan around the capacity they create. A deadline should never be the first signal that my diary has become unrealistic.

I measure progress rather than activity

It is easy to fill a week with visible tasks and still feel dissatisfied. Recording that I sent a pitch, delivered an episode or completed a research memo describes activity, not necessarily impact. I translate each priority into an observable change: a stronger audience relationship, a clearer argument, a healthier routine or a more resilient business. That shift makes progress easier to see and easier to discuss.

For my professional goals, I ask whether the work is building the platform and reputation I want. A speaking invitation should support a coherent message, while hosting should create genuine connection rather than simply another credit. The same applies to my books: publication matters, yet the deeper goal is to inform and move readers. Reviewing outcomes keeps those purposes in view.

For personal goals, I look for equally honest signals. Does my week include movement, rest and time with people I love? Am I learning, creating or contributing outside work? I track a small number of indicators and ask whether they are improving together. Then I continue, change or release each goal. Progress often comes from removing a distraction, not adding another demanding project.

Feedback keeps the review honest

Self-assessment has blind spots, so I invite a few trusted people into the process. I ask a producer, editor, colleague or friend for a specific observation: what should I repeat, what should I challenge, and where do I create unnecessary friction? Clear questions produce useful answers. Vague requests for general feedback tend to return vague encouragement.

I make feedback easier to receive. In an informal team check-in, shareable meme templates can turn an awkward request into an invitation to respond. The humour has to support the conversation rather than replace it, and I never use it to sidestep a difficult point. Accountability works best when people can speak candidly and still feel respected.

I keep feedback close to evidence. One comment about a live event should not define my entire year, while a consistent theme deserves attention. I look for patterns across projects, compare them with my own notes and decide what to test next. That combination of reflection and outside perspective keeps the review honest without making it harsh.

I connect reflection to meaningful work

The point of reviewing goals is to shape the work that follows. My speaking and event-hosting work brings themes of leadership, resilience and personal growth into the room, and details of that work appear on my official website. My reflections on women’s health and empowerment can guide content for the This Girl Is On Fire platform. I ask which ideas deserve a wider audience and which can remain private experiments for now.

I also connect personal priorities with my publishing and public work. A quarter might support research for a book, preparation for a hosting engagement or a new collaboration. The shared thread is purposeful momentum: each commitment should strengthen my wider contribution, whether that means helping people make better decisions or giving audiences a story worth remembering.

Commercial reality belongs in the review too. Corporate speaking and event-hosting budgets are set in Australian dollars, and travel, production and preparation all consume capacity. I check fees, deposits and expenses against the time each commitment actually takes. A well-paid opportunity can still be a poor fit if it leaves no room for recovery or the work I have chosen to keep.

My quarterly reset ritual

My reset ritual follows the same rhythm every time. I close the previous quarter’s commitments and gather evidence: completed work, meaningful feedback, financial results and signs of my energy. I write down what worked, what felt like a distraction and what I learned about the way I work. Then I choose a small set of priorities, give each one an outcome and schedule the first action in my calendar.

Before I finish, I want a plan that another person could understand. I can explain what I am focusing on, why it matters and what I am consciously leaving out. I also set a date for the next review, because a good decision still needs a follow-up. The ritual ends with a brief note in my journal, then I close the laptop and step away.

I compare the personal and professional sides of my plan so neither quietly takes over:

Personal goal Professional goal Shared review question
Protect rest and energy Deliver a speaking or hosting commitment Does this work support sustainable energy?
Make space for family Develop a new book or collaboration Will this strengthen my work or simply add to it?
Build consistent wellbeing habits Grow the This Girl Is On Fire platform Is the progress useful to other people as well as to me?
Review savings and time costs Set fees and control costs Is the financial plan realistic for the next three months?

Questions I answer in every review

  • What has genuinely moved forward since my last review?
  • Where did my time, money or attention drift from my priorities?
  • What am I continuing, changing or deliberately releasing?
  • Which one outcome will show meaningful progress next quarter?

Actions I schedule before I close

  • Put the chosen priority in my calendar with realistic time and capacity.
  • Tell the relevant people what I am focusing on and what I am pausing.
  • Set one visible outcome and one practical checkpoint.
  • Schedule the next review and protect time to attend it.
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On Air & In Print

Andrea anchors the ITV lunchtime talk show Loose Women, which she joined in 2007, following 11 years as a core presenter on ITV's breakfast programme GMTV, a role she left on New Year's Eve 2008.

Alongside broadcasting, she has written for Red, Best, Scottish Woman and numerous weekly women's titles since starting as a freelance travel writer in 1993.

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Reach & Recognition

A snapshot of the audience and impact behind Andrea's television, publishing and brand work.

5M Weekly viewers of Loose Women
1.5M Readers of her weekly home interior features in the Daily Mirror and Best Magazine, running since 2010
£1M+ Sales generated by her jewellery range, one of QVC's best-selling lines
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This Girl Is On Fire

Andrea is CEO and Co-founder of the female empowerment platform This Girl Is On Fire, built around a mission to help women live, learn and thrive in a life they love.

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Screen & Studio

Promotional and broadcast work created for television and corporate partners, including Barclaycard, Vistaprint and Wii Fit U.

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Contact details published on this site have appeared as +44 (0)20 7371 5444 / angharad.marsh@officialandreamclean.com and, on an earlier page, 020 7482 3282 / admin@officialandreamclean.com — please treat both as points of contact.