Why handwritten notes still hold power
Digital communication has made it easier to answer a message quickly, but speed has its cost. Most digital exchanges are designed to be disposable: a notification disappears, a message is archived, and a screen fills with the next demand. A handwritten note moves at a different pace. It asks for a few seconds of attention and leaves a visible trace of the person who sent it. That is why I believe in the power of handwritten notes in a digital age. The gesture feels less like another task and more like a small act of intention.
As a broadcaster, author and public speaker, I have learned to value what can be captured without a blinking cursor. On set, between interviews and while travelling, I often write down a line I want to remember, an idea that needs room to grow or a reminder to stay grounded. My notebooks have travelled through airports, green-room corridors and long train journeys. They hold fragments rather than polished accounts, which is precisely why I trust them. They preserve the quick thought before judgement, ambition or habit has edited it into something safer.
A handwritten note does not replace email, messaging or the many digital tools that keep Australian workplaces connected. Its value lies in what it adds: texture, focus and emotion that can travel without another password or notification. These qualities matter especially to people who lead, create, care for others and try to build a life that feels genuinely their own.
A personal ritual that outlasts the inbox
The notes I value most are rarely formal. They are thank-you messages left beside a coffee, a birthday wish written on good paper, or three sentences that help a friend through a hard week. A note can acknowledge something that happened without turning the moment into a transaction. It says: I paused for you. Even when the words are brief, the ink, pressure and choice of colour make the message feel personal. That human mark can be surprisingly powerful in a culture of instant replies.
I have kept handwritten notebooks for years, but their purpose has evolved. Early on, they were rehearsal books filled with questions for interviews. Now they hold observations, reading lists, gratitude and reminders for decisions that need a quieter head. Before a live broadcast, I might write down the single point I want the audience to carry home. Before a speaking event, I turn a sheet of paper into a brief emotional map: where to begin, where to slow down and where the room might need warmth.
The habit also helps me protect my attention. A person on the morning ferry across Sydney Harbour can open a notebook without entering a feed or joining another conversation. On a train to work, a page can become a private pause. In my article declining the wrong opportunities, I set out why boundaries are essential to growth; a handwritten reminder of my own limits can be more immediate than a policy buried in a calendar. The page becomes a quiet anchor, helping me notice what is useful, what is draining and what deserves a considered answer rather than an automatic yes.
What the page preserves
Writing by hand changes the rhythm of a thought. The pace is slower, so I tend to choose words more carefully and follow an idea through to the end of a sentence. That does not make every handwritten word profound. It does create enough friction to interrupt autopilot. For me, this is valuable when I am preparing for a broadcast, shaping an argument for a book or making sense of a decision. The hand is slower than the keyboard, and that slowness gives doubt, nuance and context a chance to appear.
A notebook is also freer than a document. I can draw an arrow in the margin, circle a contradiction, abbreviate a half-formed thought or add a memory beside a plan. A typed note is easier to reorder, search and share; a handwritten one often captures connection instead. This is especially useful in conversations about women’s health and empowerment, where the detail behind a statistic can matter more than the headline. A line written during a conversation may record the language someone used, the concern they hesitated over or the strength they had not yet named.
Paper suits certain Australian customs too. Walk through the greeting-card aisle at Woolworths or Coles in the weeks before a birthday, and you will see that personal connection has a place in the local market alongside digital gift cards. Many people still reach for a card to add a handwritten message inside. At a Melbourne laneway café, a notebook and a long coffee can also become part of a morning ritual without producing anything publicly measurable. During AFL finals weekend, a handwritten good-luck note to a friend is a small acknowledgment that the person, not only the match, matters.
Paper and screen, side by side
I do not think one format should win. I choose according to the purpose: speed and distribution favour digital tools, while attention and emotional resonance often favour paper. The useful question is not whether handwriting is old or digital communication is new. It is what the message needs to accomplish.
| Format | What it does well | Where it can struggle | Best suited to |
|---|---|---|---|
| Handwritten note | Adds warmth, focus and a visible human mark | Takes longer and is harder to edit or search | Thank-you notes, personal encouragement and private reflection |
| Typed message | Is quick, searchable and easy to share | Can feel generic when a reply is rushed | Schedules, logistics, collaborative work and feedback |
| Voice message | Conveys tone and personality with less typing | Hard to scan, reference or retrieve later | Reminders, travel updates and informal encouragement |
| Shared digital document | Supports live collaboration and revision | Notifications and visual clutter can fragment attention | Projects, planning and distributed teams |
Neither medium wins in every setting. A handwritten note sent to an Australian colleague may feel more personal than a brief email, yet a typed message is often kinder if it contains information needed immediately. Someone working a FIFO rotation in Perth may appreciate a voice note while travelling, but a shared digital agenda is more useful for a team coordinating across time zones. The sensible approach is to let the purpose guide the medium, not nostalgia.
Notes that strengthen work and wellbeing
In a busy workplace, handwriting can create a moment of attention inside the noise. During a meeting, I write in longhand when I want to catch an insight rather than simply record a decision. The words take up space, so I pay closer attention to what deserves it. In a leadership session, a page can also help a group step back from a screen and notice the human dynamics behind the agenda. People slow down enough to identify the real issue, not just the loudest voice.
Before I go on stage, my notes are deliberately short. They might contain an opening image, one question and a reminder to make room for the audience. For corporate audiences, I have seen how a speaker who is fully absorbed in slides can lose the thread of the room. A handwritten prompt brings me back to the people in front of me. When hosting an event, I also write down names, gestures and moments that mattered; those details make the next conversation warmer and stop a successful evening from disappearing into a crowded schedule.
Handwriting can support wellbeing as well as performance. A private page gives a difficult feeling somewhere to go without immediately turning it into content. Through This Girl Is On Fire, my platform for women’s voices, and my advocacy around women’s health, I have seen the importance of creating spaces where women can be honest and ambitious at the same time. A note can record evidence of progress that memory softens. In celebrating genuine wins, I explore why acknowledging achievement can be difficult, especially when confidence is still catching up with experience. Writing the moment down gives the win a witness.
Keeping a human mark in a fast world
My handwritten notes now tend to fall into three simple kinds: something I want to remember, something I want to release and something I want to become. The first might be a line from a book or an idea from a conversation. The second can be a worry written honestly enough that I no longer need to carry it in a tight loop. The third is a commitment to my future self, written plainly enough that I can recognise it on an ordinary Tuesday when motivation is scarce. Their value comes from making the invisible easier to see.
Books have sharpened that practice for me. A book club creates the rare combination of personal reflection and shared perspective, and the conversations often reveal how differently people respond to resilience. I have reflected on book club resilience lessons, including the importance of honesty without self-pity. A handwritten margin note can hold all three: what the author said, what I felt and what I now understand differently. It becomes a record of a changing mind rather than a trophy for a finished opinion.
None of this means a digital device should be abandoned. A photo of a page can preserve a sketch, a calendar invite can coordinate a team across Australia, and a message can turn a distant connection into an immediate one. The point is to use technology deliberately rather than let it choose every interaction on our behalf. I want a handwritten note to occupy a real place in that balance: not as a symbol of resistance, but as a useful, beautiful way to communicate that someone was present. The page does not slow the world down; it gives one part of me a place to meet it.
On Air & In Print
Andrea anchors the ITV lunchtime talk show Loose Women, which she joined in 2007, following 11 years as a core presenter on ITV's breakfast programme GMTV, a role she left on New Year's Eve 2008.
Alongside broadcasting, she has written for Red, Best, Scottish Woman and numerous weekly women's titles since starting as a freelance travel writer in 1993.
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