Meet Andrea

Building a supportive network of women in media

Women moving into journalism, production, radio, television and digital publishing often hear that confidence is the key to success. The practical reality is that confidence grows through relationships: people who answer questions, share opportunities and warn you when a workplace culture is unsafe. A supportive network turns individual ambition into a shared professional advantage.

It is also a protective structure. Women in media can encounter isolation, unequal access to informal advice, harassment and the pressure to appear invulnerable. A trusted circle of colleagues and friends creates room for honest conversations, practical help and early warning signs, without treating every difficulty as a personal failure.

The strongest networks are reciprocal, specific and consistent. They do not require expensive membership fees or access to a particular inner circle. A useful introduction, five minutes of candid feedback or a coffee between shifts can carry more value than a stack of business cards.

Andrea McLean’s career shows how this kind of community can shape a public voice. The award-winning British television broadcaster, journalist, author and public speaker has built her career on curiosity, clarity and sustained engagement with women’s health and empowerment. Her books, speaking engagements, event hosting and This Girl Is On Fire initiative reflect a belief that women thrive when support survives beyond the meeting, the pitch or the broadcast.

Start with relationships that matter

Before collecting names, decide what you want the network to do for you and for others. A healthy professional circle has a shared purpose, regular contact and a culture of giving without keeping score.

A supportive network A weak professional network
Shares knowledge, opportunity and honest feedback Treats people mainly as contacts to collect
Communicates through regular, two-way check-ins Reappears only when someone needs a favour
Responds to a colleague’s success and setbacks Recognises achievement only when it benefits the network
Helps members grow while making room for others Keeps influence within a familiar inner circle

That distinction is visible in Andrea McLean's background, where broadcast experience has grown into authorship, advocacy and public speaking. Her work with This Girl Is On Fire also demonstrates the value of creating space for women’s health, empowerment and honest discussion.

Begin with a small group whose values and working styles you respect. Ask what they need from you, then be precise about what you can offer. Reciprocity does not mean every favour is exchanged on the spot; it means that knowledge, introductions and encouragement keep moving in both directions.

Build genuine connections beyond the newsroom

Many valuable connections sit outside your immediate team. A radio producer may know a commissioning editor; a designer may understand how a digital publisher makes editorial decisions; an artist may have worked with the perfect host. Keep professional curiosity broad, especially when you are building a career without a conventional pathway.

Cross-sector relationships also improve the stories women tell. Features in Azay Art Magazine can connect journalists with artists, curators and audiences whose experiences challenge familiar assumptions. A thoughtful introduction may lead to a commissioned piece, a live event or a source who would never appear in a standard industry contact list.

Make the first meeting easy to repeat. Share a useful resource, buy the coffee and follow up with something specific. Avoid turning every conversation into a career assessment. People open up when the relationship feels genuinely two-way, especially if you notice their interests and remember what mattered to them last time.

Create support that respects independence

Mentorship, peer support and sponsorship each solve a different problem. A mentor offers perspective and experience. A peer understands the immediate pressures of your job. A sponsor uses their influence to put your name forward for a commission, panel, fellowship or senior role. Building a varied circle means you are not expecting one senior person to meet every need.

Ask for support with precision. “Could you review this pitch?” is easier to answer than “Could you help my career?” If a peer gives you a contact, send a short introduction that explains the fit and makes responding effortless. If you need feedback, name the area you want considered and welcome disagreement without defensiveness.

Keep boundaries intact. A trusted network should not become a place for gossip, borrowed confidences or quiet pressure to conform. Agree on confidentiality, give colleagues room to decline and challenge ideas rather than people. Good support leaves each person more capable and more independent.

Work with the realities of Australian media

Australian media is concentrated in Sydney and Melbourne, with important production and commissioning communities in Brisbane and Adelaide, as well as a distinct policy and public-sector media scene in Canberra. This geography affects where opportunities are discussed and who gets heard. Regional reporting, community broadcasting and First Nations media organisations add essential perspectives, yet many national networks still form around the eastern capitals.

The legal environment makes the network’s responsibilities clearer. Federal anti-discrimination law, including the Sex Discrimination Act 1986 and the Australian Human Rights Commission Act 1992, addresses discrimination, sexual harassment and vilification. The Respect@Work Act 2022 places a positive duty on employers to take reasonable measures to prevent sexual harassment. For employees covered by the Fair Work Act 2009, conditions and consultation are also shaped by awards and agreements. Experienced colleagues can help newer workers understand these protections and the procedures their employer should follow.

Local habits shape how trust is built. Catch-ups might mean a flat white between morning bulletins, a walk beside Bondi, a stroll through Melbourne’s Yarra precinct or a quick video call before a West Australian newsroom deadline. The medium may change, but reliability matters. Follow through, arrive prepared and make space for people whose names are less familiar in editorial meetings.

Across this mixed market of public and commercial broadcasting, streaming services, digital publishers and independent productions, Women in Media and the Australian Media Union offer professional communities and practical avenues for support. Choose networks connected to your craft, then bring your own perspective rather than waiting to be invited.

Lead with generosity and visible sponsorship

Leadership within a network often looks unglamorous: sharing credit, introducing an unknown colleague, paying a freelancer promptly, checking that a panel is balanced and naming good work publicly. These actions influence who feels safe to contribute and who gets considered for the next opportunity. Visibility built on trust lasts longer than visibility built on personal branding alone.

Her thoughts on vulnerability as leadership offer a useful lens for senior colleagues and emerging leaders. Admitting uncertainty can open a useful discussion about risk, evidence and support. It also signals that asking for help is a professional strength rather than evidence that someone is unprepared.

Be generous when you can. Offer a junior producer editing time, a colleague with a different lived experience a commissioning introduction, or a speaker a platform with room to be heard. Sponsorship should be transparent, deserved and connected to a real opportunity, not a vague promise made to someone more senior.

Turn goodwill into repeatable habits

Networking becomes sustainable when it is woven into working life. Keep the group small enough for genuine attention, yet open enough to include new voices. Share ownership of conversations, rotate the people who organise them, and build these habits:

  • Book a short, regular coffee with someone outside your immediate team.
  • Offer one concrete introduction or piece of useful information each month.
  • Ask for feedback on a portfolio, pitch or career plan, rather than vague reassurance.
  • Keep a record of the help you have given and the help you need.

Regular contact makes reciprocity visible and reduces the awkwardness of asking for help. Review your commitments periodically, especially when work becomes busy or a colleague changes roles. As experience grows, use that confidence to create openings for others:

  • Host a small learning session for junior producers, reporters and editors.
  • Share a template, source list or production contact that saves others time.
  • Make room for quieter colleagues in pitches, panels and commissioning discussions.
  • Check in during busy periods, quiet weeks and major career transitions.

Boundaries still matter as the circle grows. Do not forward private information, act as an investigator or promise an introduction you cannot make. If a concern involves harassment or discrimination, direct it towards the appropriate workplace, professional or legal process instead of treating the network as a substitute for those systems.

Keep the network strong over time

Networks change as careers change. Someone who joined as a junior reporter may become a producer, editor or founder, while another moves from full-time employment to freelance work. Check in without asking people to prove their value. Ask what they want to contribute now, what opportunities they need and whether your usual format still suits them.

Revive quiet connections with a specific reason. Share an article they would enjoy, congratulate them on a finished project or invite them to a relevant conversation. Online communities can support geographically dispersed teams, yet thoughtful direct contact remains valuable for trust and accountability.

Through Andrea McLean's platform, readers can explore the wider work behind this approach, including insights on leadership, personal growth and women’s wellbeing. That wider conversation gains strength when it leads back into the workplace, where colleagues can turn encouragement into better decisions, fairer access and durable professional relationships.

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On Air & In Print

Andrea anchors the ITV lunchtime talk show Loose Women, which she joined in 2007, following 11 years as a core presenter on ITV's breakfast programme GMTV, a role she left on New Year's Eve 2008.

Alongside broadcasting, she has written for Red, Best, Scottish Woman and numerous weekly women's titles since starting as a freelance travel writer in 1993.

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Reach & Recognition

A snapshot of the audience and impact behind Andrea's television, publishing and brand work.

5M Weekly viewers of Loose Women
1.5M Readers of her weekly home interior features in the Daily Mirror and Best Magazine, running since 2010
£1M+ Sales generated by her jewellery range, one of QVC's best-selling lines
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This Girl Is On Fire

Andrea is CEO and Co-founder of the female empowerment platform This Girl Is On Fire, built around a mission to help women live, learn and thrive in a life they love.

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Screen & Studio

Promotional and broadcast work created for television and corporate partners, including Barclaycard, Vistaprint and Wii Fit U.

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A studio microphone on a stand in front of an audio mixing board, red backlighting, dark broadcast studio atmosphere
A sunlit wooden desk with a laptop, notebook, coffee mug and small potted plant, calm working atmosphere
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Find out more about Andrea's career, writing, media coverage and audience reach.

Get In Touch

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Contact details published on this site have appeared as +44 (0)20 7371 5444 / angharad.marsh@officialandreamclean.com and, on an earlier page, 020 7482 3282 / admin@officialandreamclean.com — please treat both as points of contact.